Sometimes one or two photographs can rescue what would otherwise be a wasted session. That was exactly the situation recently when shooting the Moto2 warm up in Qatar.
Unlike the rest of the weekend the Moto2 warm up started in daylight. After a bit of deliberation I left the Media Center with the intention of taking a shuttle to the inside of Turn 2 as the low evening sun would be behind me.
After three days at home following Qatar, it was time to pack the bags again and head west for the Grand Prix of the Americas in Austin, Texas. As part of my planning for the year, I had discussed with my partner Clare which races we could incorporate into a holiday. Right away Austin jumped out, particularly when Clare realized its proximity to New Orleans, a city she had wanted to visit for years.
After a layover in Manchester, we flew to New Orleans via Amsterdam. Admittedly flying from the UK to the States via Amsterdam is not the most direct route, but it did save us money. Sadly the airline decided to punish our frugality by holding our luggage hostage in The Netherlands for 24 hours.
On the subject of luggage, one of my main issues traveling to Qatar was the weight of my camera gear. I carry my cameras, lenses, and laptop in a backpack that can be taken on as hand luggage. Fully loaded the bag weights 15 kilos, walking around airports with that on my back literally becomes a pain. I did not have time to buy a roller bag before Austin, but I will before I travel to Jerez.
After 10 busy days in New Orleans, the Mississippi River Road, the Atchafalaya Basin, and San Antonio we arrived in Austin. Having arrived in Austin at lunch time on the Wednesday I only had half a day free so we set off on a pilgrimage to visit the statue of blues legend Stevie Ray Vaughan.
On Thursday I left Clare exploring Austin, picked up my hire car and with a little trepidation headed to the track. In recent years, I’ve built up plenty of experience of driving in the US, but this was my first time on my own, so I was slightly nervous. As it turned out I didn’t have any problems negotiating my way thanks to the GPS. How did people find their way before GPS?
The GPS however was no help in finding the Accreditation Center. I asked one of the car park attendants, who pointed in the vague direction of a ticket office. Assuming that couldn’t be it, I drove around the car park twice. I even found myself behind the main grandstand — not sure how I managed to get there. Eventually I spotted a small sign in front of the ticket office that read “Accreditation Center.” Here we go.
Our friend Tony Goldsmith, you have enjoyed his work from last year’s Isle of Man TT, is back with a new column for Asphalt & Rubber.
Finding himself made redundant at his regular job, Tony is currently on an adventure of a lifetime: picking up a camera and becoming a full-time photographer in the MotoGP Championship.
Tony will be sharing with us his journeys, thoughts, and of course his pictures from the 2014 MotoGP season, which we hope will serve to be an inspiration for others hoping to achieve a lifetime goal, as well as providing some insight into what goes on behind the lens in the premier class of motorcycle racing. Enjoy! – Jensen
Imagine if just for once you didn’t have to stick to your usual nine-to-five job. Instead you were able to do the one job you’ve always wanted to do, but any number of things (it’s usually money) have stood in the way.
This is exactly the situation I found myself in six months ago when the company I had worked at, for the last 14 years, decided to close, making everyone redundant.
This decision did not come as a surprise; in fact, I had been hanging around for the last few years hoping that it would happen, as I had a plan. Fast-forward six months and I have just finished photographing the opening round of the 2014 MotoGP World Championship in Qatar. The plan is starting to unfold.
The Isle of Man TT is widely acknowledged as the most demanding motorcycle road race on earth for both rider and machine. For a motorsport photographer the 37.75 mile course offers a wealth of opportunities as well as a unique challenge.
The opportunities are obvious: stunning scenery, spectacular jumps and spectators literally within arms-reach of the riders as they blast through towns and villages.
It goes without saying that capturing a sharp image of a 200bhp motorcycle can be tricky even when they are not moving particularly quickly. In my opinion, the difficulty level at the TT is greater due to the sheer speed the bikes are travelling at.
The key to successfully photographing the TT has nothing to do with technical ability or gear, it is, as with most things in life, down to experience – although a bit of location planning and local knowledge doesn’t hurt either.
