Sometimes one or two photographs can rescue what would otherwise be a wasted session. That was exactly the situation recently when shooting the Moto2 warm up in Qatar.
Unlike the rest of the weekend the Moto2 warm up started in daylight. After a bit of deliberation I left the Media Center with the intention of taking a shuttle to the inside of Turn 2 as the low evening sun would be behind me.
One of the benefits of having contacts in the MotoGP paddock is occasionally getting info that comes in handy. At the end of last season I happened to ask a friend about the July 2013 test at the new Argentina circuit.
I’d been thinking that this round looked interesting; and as I love to go to new tracks, I was thinking seriously about attending MotoGP’s first visit to the Autódromo Provincial Termas de Río Hondo.
The trip from California to Argentina sounded good in theory. It was a shorter journey than flying to Europe, right?
After three days at home following Qatar, it was time to pack the bags again and head west for the Grand Prix of the Americas in Austin, Texas. As part of my planning for the year, I had discussed with my partner Clare which races we could incorporate into a holiday. Right away Austin jumped out, particularly when Clare realized its proximity to New Orleans, a city she had wanted to visit for years.
After a layover in Manchester, we flew to New Orleans via Amsterdam. Admittedly flying from the UK to the States via Amsterdam is not the most direct route, but it did save us money. Sadly the airline decided to punish our frugality by holding our luggage hostage in The Netherlands for 24 hours.
On the subject of luggage, one of my main issues traveling to Qatar was the weight of my camera gear. I carry my cameras, lenses, and laptop in a backpack that can be taken on as hand luggage. Fully loaded the bag weights 15 kilos, walking around airports with that on my back literally becomes a pain. I did not have time to buy a roller bag before Austin, but I will before I travel to Jerez.
After 10 busy days in New Orleans, the Mississippi River Road, the Atchafalaya Basin, and San Antonio we arrived in Austin. Having arrived in Austin at lunch time on the Wednesday I only had half a day free so we set off on a pilgrimage to visit the statue of blues legend Stevie Ray Vaughan.
On Thursday I left Clare exploring Austin, picked up my hire car and with a little trepidation headed to the track. In recent years, I’ve built up plenty of experience of driving in the US, but this was my first time on my own, so I was slightly nervous. As it turned out I didn’t have any problems negotiating my way thanks to the GPS. How did people find their way before GPS?
The GPS however was no help in finding the Accreditation Center. I asked one of the car park attendants, who pointed in the vague direction of a ticket office. Assuming that couldn’t be it, I drove around the car park twice. I even found myself behind the main grandstand — not sure how I managed to get there. Eventually I spotted a small sign in front of the ticket office that read “Accreditation Center.” Here we go.
As a fifth-generation Californian, I am obliged to lament the decision to drop Laguna Seca, and to focus American MotoGP racing efforts on solely Indianapolis Motor Speedway and the Circuit of the Americas. That being said, while the California track is a superb race course to ride, the facilities and general location are no where close to the level that is provided by Indy and COTA.
Nothing illustrates this better than the Grand Prix of the Americas that Austin, Texas just hosted. The track is simply a spectacle, and if a certain Marc Marquez wasn’t such a child prodigy, the MotoGP race would have been just as exciting at the ones seen in Moto2 and Moto3.
Standing 251 feet above Turns 16, 17, & 18, the COTA observation tower provides a bird’s eye view of just about every tun on the circuit, if you can stomach its subtle sway in the wind and clear-glass floor at the precipice. Officially called by COTA as the “Observation Tower” (note the “recommended for editors” capitalization), the tower really needs a better name for casual conversation.
We’ve heard COTA Cobra used a few times with some lovely alliteration, but the structure has always struck us as less snake-like, and more like a big dinosaur — we’re going to use the name “Petrolsaurus Rex” until I hear something better, or COTA sends me a cease and desist order.
Nomenclature aside, the view from the Petrolsaurus Rex platform highlights the great attention to detail that COTA went to for Formula 1 and MotoGP viewing. Drawing big red, white, and blue lines along the course, a quick straw poll from photographers sees COTA being one of the more photogenic race courses (something one could not say about Laguna Seca).
I climbed to the top of Petrolsaurus Rex (read: took the elevator) during the MotoGP Warm-Up session, and snapped a few photos in the process. Enjoy the hi-res photos after the jump. There’s a certain minimalist quality to having GP bikes next to long contrasting lines.
When I give a talk about my work, one of the things I most often hear is how much people enjoy the behind the scenes details of what it’s like to work as a photographer in MotoGP.
Trying something a bit different for this week’s Trackside Tuesday, I’m going to tell you some of the things that happened while I was photographing last weekend’s MotoGP in Austin, Texas. First, some background facts to set the stage.
Chatting with a couple of NASCAR fans recently, I was reminded that any competition is boring if you don’t care who wins. But if you do care, then even cars driving around in circles can be very compelling entertainment.
Those NASCAR fans really cared about how their favorite drivers finished, and not only how they finished in the latest race, but what and how those drivers were doing off the track as well.
Those fans had been captured by the personalities of those drivers. One of the things NASCAR does well is sell personalities. All major sports-related businesses do this to some extent, but some organizations do it better than others.
The NASCAR fans loved their drivers and loathed the others, so each race becomes a contest of great emotional importance. Will Good triumph over Evil? Will Justice prevail? This drama is acted out lap after lap, and then continued post-race with interviews, public appearances, blogs, and so on.
Our friend Tony Goldsmith, you have enjoyed his work from last year’s Isle of Man TT, is back with a new column for Asphalt & Rubber.
Finding himself made redundant at his regular job, Tony is currently on an adventure of a lifetime: picking up a camera and becoming a full-time photographer in the MotoGP Championship.
Tony will be sharing with us his journeys, thoughts, and of course his pictures from the 2014 MotoGP season, which we hope will serve to be an inspiration for others hoping to achieve a lifetime goal, as well as providing some insight into what goes on behind the lens in the premier class of motorcycle racing. Enjoy! – Jensen
Imagine if just for once you didn’t have to stick to your usual nine-to-five job. Instead you were able to do the one job you’ve always wanted to do, but any number of things (it’s usually money) have stood in the way.
This is exactly the situation I found myself in six months ago when the company I had worked at, for the last 14 years, decided to close, making everyone redundant.
This decision did not come as a surprise; in fact, I had been hanging around for the last few years hoping that it would happen, as I had a plan. Fast-forward six months and I have just finished photographing the opening round of the 2014 MotoGP World Championship in Qatar. The plan is starting to unfold.
