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KTM was the first major motorcycle manufacturer to debut a production-ready electric motorcycle, all the way, way back in 2011. In true KTM fashion though, it has taken six years for the “Ready to Race” brand to be ready for the US market with its electric motorcycle design.

This is because KTM North America is finally bringing the KTM Freeride E-XC to the United States, starting with a handful of dealerships (11, to be precise) who will carry the electric dirt bike, reportedly in limited quantities.

If you are in the market for a track-only race car, might we suggest the Griip G1. Though featuring double the wheels that we’re used to, this carbon fiber clad Formula 1000 cart is powered by a very familiar power plant: the Aprilia RSV4 superbike’s V4 engine.

The RSV4 engine on the Griip G1 remains fairly stock, though it uses a drive shaft, instead of a chain drive, as it would on a motorcycles. As such, it makes roughly 201hp in this form, though the real value of the Griip G1 is the weight of the vehicle, which tips the scales at 860 lbs wet and fully fueled.

Though it is known better for its exploits on race tracks, many two-wheeled enthusiasts should know that Ducati’s history extends well into the sand dunes of the Dakar Rally.

Nestled in the Ducati Museum in Borgo Panigale, there is proof of Ducati’s racing history in the Dakar Rally. And while the bike says “Cagiva” on the outside, it was an air-cooled Ducati engine that powered Edi Orioli and his Elefant to two Dakar Rally wins (1990 & 1994).

That machine was painted in one of the most iconic paint schemes ever to grace a racing motorcycle: the Lucky Strike cigarette company’s red, white, black, and gold livery.

So, to pay homage to Ducati’s off-road racing history, the folks at the MotoCorsa Ducati dealership have taken the Ducati Multistrada 1200 Enduro and linked it to its racing pedigree, creating a unique motorcycle in the process.

The effect is a handsome motorcycle that remembers when the Dakar Rally actually traced a route from Paris to Dakar, and when the Ducati brand was thriving in the golden era of motorcycle racing – oddly enough, due to the massive support that tobacco companies were pouring into motorsport racing at the time.

I’ve just spent the last three days shuffling around in my car, so apologies for the delay, but here is my final installment of photos (don’t miss Friday & Saturday too) from the World Superbike round at Laguna Seca, which were taken during Sunday’s warm-up session.

I caught the riders at Turn 11, the slow left-hander that brings them onto the front straight, hoping to get a particular shot where their bodies would be in transition back into the saddle, while the bike would also be power-wheeling out of the turn.

In other words, I have quite a few different takes on the same scene, which might be visually a bit boring. What is interesting though is the subtle details from rider to rider. 

For instance, it was noticeable to see Jake Gagne struggling with the bucking Honda CBR1000RR SP2, which seemed much more apt to loft the front wheel, due to having more rudimentary electronics. Conversely, the Ducatis and Kawasakis were well in control, slowly lifting and never getting out of shape.

How the riders deal with these differences is of note as well, so take notice of the body positioning, especially with where their butts are in the saddle. Interesting stuff. Until next year, and thanks for viewing.

By my nature, I am a critical person. This isn’t exactly a desirable personality trait, but it serves me well in my chosen profession. Accordingly, I rarely ever use words like “perfect” or “flawless” when describing something. It’s just not in my nature.

From my lens, there is always room for improvement. But, when it comes to seeing the Suter MMX 500 up-close and in person, I had to rethink my usual choice of words. I will sidestep superlatives and simply say that the Suter MMX 500 is a true rider’s motorcycle.

On the Suter MMX 500, there are no electronic rider aids, no ride-by-wire throttles, no kickstands, mirrors, or lights. There is nothing on this machine that doesn’t serve a purpose, and the only acceptable purpose is to go as fast as possible.

Saturday at Laguna Seca, I spent my time working the fence line from Turn 1 to Turn 2, catching the World Superbike riders as they came down the harrowing fast T1 section, before hitting the double-apex that is T2 – also known as the Andretti Hairpin.

Turn 1 is easily the fastest part of the Californian track, and it is a section of tarmac where the MotoGP riders would get both wheels off the ground…at nearly full lean. The WorldSBK machines don’t quite hit the same speeds at the GP bikes, but don’t be fooled – this is a corner that separates the men from the boys.

Turn 2 on the other hand is one of the slowest places at Laguna Seca, as riders make a double-apex turn out of the left-hander, and then accelerate to Turn 3 – often popping a wheelie in the process.

If T1 shows a rider’s mettle, T2 shows a bike’s prowess, and it is plain for everyone to see who has their electronics dialed, and who does not.

The juxtaposition of these two turns was my playground for FP3, while I spent both Superpole sessions in pit lane, shooting the front straight and team pit boxes. Meanwhile for the race, I chose to shoot the grid, as it meant I could still watch the racing action from the media center.

I hope you enjoy these high-resolution shots from my Saturday at Laguna Seca.