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Scott Jones

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I know a fair number of photographers whose main body of work is covering motorcycle racing, and the one tune they all sing in perfect harmony is how difficult it is to cover the expenses of traveling to races and then make some profit on top of that.

Some of these photographers do outstanding work, as many of you have seen here on the pages of Asphalt & Rubber, and yet they are trying to survive in an economy where the supply far outpaces the demand.

The demand that exists doesn’t often pay a premium price for premium work, preferring instead to get photos as cheaply as possibly.

This is understandable given that many teams and sponsors in motorcycle racing are themselves operating on shoestring budgets, with some fighting on a race-to-race basis merely to stay involved at their current level of competition. In this, they share something in common with many photographers.

One friend of A&R is the first we know of to use a crowdfunding site called Patreon to help stay involved in MotoGP. Scott Jones is bringing some pretty cool new content to his fans who support him in this way.

The weather is often a large part of the story at Laguna Seca. Usually it’s either heat, like the dangerously hot 2006 MotoGP weekend, or morning fog that delays the start of a day’s sessions, like nearly every time an event is held at this circuit.

But today the weather was a sudden thunderstorm that started just before sunrise. As the paddock came awake, lightning was flashing to the south and rain was drenching the circuit, washing the rubber off the asphalt and soaking the Media Center, to name only a couple of moisture-related casualties.

Out came the rain tires for the morning warm-up, and away they went on a track that was drying but still wet. But by the time Race 1 arrived, it was back to slicks for two dry races.

It’s great to be back on Asphalt & Rubber again, sitting next to Jensen in a media center at a race track, preparing photos for the A&R readers.

It’s great to be back at a World Superbike race as well, where the atmosphere is more relaxed than MotoGP. The bikes are just as shiny, and apparently you can just mosey down to your local dealer and buy one!

The bike above rolled right off the show room floor, I’m told. It would look great in my garage.

Leon and Ron Haslam Aprilia WSBK 2015 Laguna Seca

There’s also a jovial family atmosphere. Here two generations of Haslam watch Superpole 1, which is more amusing to some than to others.

Chaz Davies Ducati WSBK 2015 Laguna Seca

Chaz Davies took the honors in Superpole 2 on a day that featured two Ducatis at the top of the time sheet.

If you enjoyed our first sampling of the Paddock Pass Podcast, which is mysteriously titled Episode 2, then we think you will enjoy our latest installment: Episode 3, which we just recorded at Sachsenring for the German GP.

On the mics are David Emmett (MotoMatters.com), Scott Jones (Photo.GP), and Tony Goldsmith (Asphalt & Rubber). The boys talk a little bit about “The Pass’n at Assen” and then get into the happenings at the opening days of German GP.

An embedded SoundCloud version of the podcast is waiting for you, after the jump.

Cal Crutchlow Losail grid 2014 Ducati Alpinestars Scott Jones

With the start of the 2015 MotoGP Season right around the corner, we have some more changes to the official regulations that govern MotoGP.

Some changes have been talked about for quite a while, such as that when a rider comes in to swap bikes during a flag-to-flag race, the waiting bike must be closer to the track than to the pit box; lower bodywork on the bikes must be designed to catch oil and other fluids that might leak (Moto2 and MotoGP bikes must be able to catch five liters of fluids, Moto3 bikes three and a half liters); and so on.

But some other items have been added to the rules that haven’t received much attention. Why am I thinking about all of this? Something just caught my eye that will directly affect my work as a photographer on the grid.

Yamaha-MotoGP-YZR-M1-fuel-tank-substitute-2013

You may have seen this image in a PHOTO.GP Pressure Reducer and at PHOTO.GP we’ve speculated about what exactly this apparatus does when placed atop the Yamaha YZR-M1. We’ve come to refer to it as The Black Box.

The photo above is from 2013, and I’ve been wondering about this item at least since Mugello of last season. But only recently did I take steps to find out just what it is.

The fact is that while I wander up and down pit lane as someone who understands, at least in relation to the level of technology on display in MotoGP, only the basics of how motorcycles work, I frequently see exotic bits of engineering that are utter mysteries to me.